This Artist Drew on Her Own Lifes Tragedies and the Tradition of Mexican Folk Art in Her Paintings
Frida Kahlo, the famous Mexican painter, was known as much for her bold self-portraits, as she was for her tragic life. Chosen a 'surrealist' by some considering of her symbolic art that was often dreamlike, she in fact, considered herself a 'realist', and denounced the surrealist tag. Frida's art was non based on her dreams, but rather on tragedies, events and relationships from her life. Hither are 7 of Frida Kahlo's most significant works of art, painted during dissimilar stages in her life, that reverberate her emotions, pain, and state of mind at the fourth dimension:
(Frida Kahlo in a Tehuna Costume, with her Pet Hawk, 1939; Photograph by Nickolas Muray)
i. The Bus or El Autobus, (1929)
In 1925, when Frida Kahlo was 18 years quondam, she was in a most fatal bus accident. Although Frida never painted anything that directly portrayed the accident, at that place are a few paintings that allude to it, of which 'El Motorbus' is the nigh significant. This painting is said to be a depiction of the passengers of the bus just before the blow. The immature woman on the right corner is said to be Frida herself while the homo in the blue work overalls, is said to be the homo who pulled out a handrail that was impaled in Frida'due south pelvis. The multifariousness across the dissimilar people depicts dissimilar classes of Mexican society.
ii. Frida and Diego Rivera (1931)
Frida married boyfriend artist, Diego Rivera in 1929 and this human relationship was the second 'grave accident' of her life, according to Frida. This 1931 painting was made two years after they got married, and Frida drew this as a wedding portrait. In the painting, Diego is portrayed as a very large man, while Frida is tiny and birdlike next to him. He is holding a gear up of paintbrushes and palette and she is in traditional Mexican attire, which is what he wanted her to wear. In this painting, Frida lets her husband take the limelight as the master artist, as she takes on her role equally his supportive and adoring married woman. The light manner in which Frida clasps Diego'south hand can be read as a sign that Diego did not vest to her completely, perhaps considering of his extramarital diplomacy.
three. The Two Fridas (1939)
One of Frida Kahlo's near recognizable paintings, this double self-portrait features ii versions of Frida, one in a Mexican costume and the other in a European costume. The painting was finished around the fourth dimension of Frida's divorce with Diego Rivera, and depicts her heartbreak and sense of loneliness at the time. The painting is also a question of identity, since the Mexican Frida was the Frida that Diego loved and the European influenced Frida was who she was before their wedlock. The fact that the ii Fridas are holding easily can exist read as her two identities coming together afterwards the divorce, to get over the heartache. The stormy heaven filled with clouds insinuate to Frida's inner turmoil. Frida and Diego did go back together shortly after the divorce, but the matrimony continued to be as tumultuous every bit before.
iv. Self-Portrait with Cropped Pilus (1940)
Painted before long subsequently the divorce with Diego Rivera, this painting is the mode Frida reclaimed her identity after the split. In the painting, Frida is wearing an oversized man'south suit, presumed to be Diego'due south. She holds scissors in her hands and is surrounded by locks of her ain pilus. Frida cut off her hair afterwards the divorce as a sign of departure from the relationship, because Diego really loved her hair. Her outfit also is her defiance against Rivera's preference to always run into her dressed in traditional Mexican attire. The lyrics written over her effigy are from a Mexican song, translating to: "Look, if I loved y'all it was because of your hair. Now that y'all are without hair, I don't love you anymore."
5. Self-Portrait with Thorn Necklace and Hummingbird (1940)
Frida Kahlo was familiar with European and American art of the mean solar day, merely her personal way showcased a 'naïve' and indigenous perspective. As she matured as an artist, she used more traditional Mexican symbols in her art, as seen in this painting. The cocky-portrait is riddled with symbols of bad luck, such as the black cat on her left shoulder, and the spider monkey on her correct. There is a crown of thorns piercing her neck due to which she is bleeding, simply her facial expression suggests she is indelible the pain, much like she did all through her life due to physical ailments. The hummingbird, which is a traditional symbol for love charms, hangs dead from the thorns, symbolic of her failed relationship.
6. The Wounded Deer (1946)
'The Wounded Deer' is one of Frida'southward well-nigh emotional paintings. The arrows that pierce though the body of the deer with Frida's caput, represent her dorsum pain, and her frustration after the failure of a surgery that was supposed to reduce it. The deer is also an Aztec symbol for her right leg, which Frida lost to gangrene. The setting of the painting, with dead copse and cleaved branches, is also dreary and hopeless. On the bottom left, Frida wrote the discussion 'Carma', or fate, implying her sadness at non being able to change her own destiny.
7. Still Life with Parrot and Flag (1951) and Withal Life with Flag (1954)
Towards the stop of her life, Frida refrained from painting herself and began to paint a lot of still life. Her involvement in Mexican politics was often represented past the placement of a Mexican flag in her paintings. In the 1950'southward, her health declined rapidly. She was taking a lot of painkillers, oftentimes with alcohol, which affected her art. She could no longer paint all the details that her earlier works were so rich with. These ii paintings were made three years apart, and the drastic changes in her decreasing ability is evident in comparison. The 2d painting was made shortly earlier her decease on the 13th of July, 1954.
Still Life with Parrot and Flag (1951)
Still Life with Flag (1954)
Frida Kahlo had a short life, dying at the young age of 47. Despite living a life filled with pain and tragedy, she rose to become one of the most important women artists of the 20thursday century. Frida remains an inspiration for her spirit and is a beacon for feminist and women'due south empowerment movements all over the earth.
Source: https://www.artisera.com/blogs/expressions/7-paintings-that-reveal-the-story-of-frida-kahlos-tragic-life
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